Category Archives: Book Review

Death of an Artist by Kate Wilhelm

14579213It’s a bad sign when the most interesting character in the book is murdered in the first third of the book.

Stef, an eccentric and brilliant visual artist, is at odds with her 4th husband, Dale. When Stef falls to her death, her mother and daughter band together to prove that Stef was murdered. They enlist the help of Tony Maurizio, former NYC detective now retired on disability, who has just moved to their small Oregon coastal village.

While this is labeled “a mystery” on the cover, it’s not really a whodunit, howdunit, or even why-they-dunit. So this isn’t really a mystery in a traditional sense – we all know who has murdered Stef from the very beginning. The novel is an exercise in justice – do you have the courage to deal out vigilante justice on your own? Can you accept that people do sometimes get away with murder? How far will you go?

Unfortunately, it’s not enough of a conundrum and the characters just weren’t compelling enough to sustain my interest. I listened to this audiobook – which was very well performed – and I was struggling to listen at the end. The little fillip of romance at the end had me shouting at the author in my car. And you know, I really, really missed Stef, the murdered woman.

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Letters by Kurt Vonnegut

Dear Neil Gaiman, Christopher Barzak, and Maureen McHugh,
Dear Richard Russo, Ann Patchett, and Jonathan Lethem,
and dear Kevin Powers, dear Patrick Ness, and dear Erin Morganstern –

Twenty years from now, I don’t want to read “The Collected Facebook Statuses of <insert your name here>.” Nor do I want to read “The Collected Blog Posts of <insert your name again here>.”, or even “The Twitter Feed of <yes, your name again>.”

Do you have a fellow author you mentor? Are you writing them letters? How about children, aunts, cousins, high school friends, teachers – do you sit down and write them a letter once in a while?

Please do.

I have just finished reading Letters by Kurt Vonnegut, edited by his friend and fellow author Dan Wakefield. I feel like a door has been opened into the mind and life of Mr. Vonnegut, and my impression of the man and his writing has been utterly changed and deepened.

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I guess I had always assumed that Kurt Vonnegut was probably most like his character Kilgore Trout, the strange and stoically unsuccessful scifi author that is featured in many of Vonnegut’s novels. Instead, I have come to know a man who cared passionately about his family – including his former wife Jane. He kept up a correspondence with many other writers, especially the authors he met while teaching at the Iowa Writer’s Workshop. His encouragement and advice to these writers continued from the time he met them in the late sixties, all the way up until his death in 2007.

He also wrote to his teachers, army friends, and kept up a lifelong correspondence with friends from his high school in Indianapolis.

Vonnegut also felt very strongly about censorship and free speech. There are quite a few letters in this collection, previously unpublished, sent privately to the towns and school boards that proposed banning his works from their libraries.

Standout correspondence from Vonnegut that touched my heart were his tender, often apologetic letters to his daughter Nanny. Nanny appears to have had a difficult time with her parents divorce – more difficult than her parents, even, and Vonnegut time and again reassures her that the divorce had nothing to do with her or another woman. The letters are those of a man whose heart is laid bare:

Anytime you want to come here, do it. I have not schedule to upset, no secrets to hide, no privacy to guard from you. (Letters, p 177)

That’s not to say that Vonnegut doesn’t get a bit testy, a la Kilgore, from time to time. Difficulties with his agents and lawyers are documented in his letters. It’s comforting to know, from editor Wakefield’s notes, that Vonnegut did resolve his estrangement from his long time agent and they resumed their friendship.

One of the most amusing letters is from November 1999, sent to Ms. Noel Sturgeon, daughter of the famous scifi author Theodore Sturgeon. Ms. Sturgeon wrote to Vonnegut, requesting that he write an introduction to a new edition of her father’s short stories. Vonnegut’s reply to her explained the relationship between Theodore Sturgeon, real life scifi author, and Kilgore Trout, fictional scifi author created by Vonnegut. Here Vonnegut explains once and for all – was Sturgeon indeed the model for Trout:

We knew each other’s work, but had never met. Bingo! There we were face-to-face at last, at suppertime in my living room.

Ted had been writing non-stop nor days or maybe weeks. He was skinny and haggard, underpaid and unappreciated outside the ghetto science fiction was then. He announced that he was going to do a standing back flip, which he did. He landed on his knees with a crash which shook the whole house. When he got back on his feet, humiliated and laughing in agony, one of the best writers in America was indeed, but only for a moment, my model for Kilgore Trout. (Letters, p388)

Wakefield has grouped the letters by decade, and has written an introductory note to each section that frames the major events in Vonnegut’s life during that period. This was very helpful. However, there were a few significant letters – most obviously, the angry letter Vonnegut wrote after discovering that his second wife is having an affair – that Wakefield never addresses in his notes. Unless I read a biography of Vonnegut, I’m not going to learn the context of that letter.

Also, Wakefield did some editing of the body of the letters, for understandable reasons, removing addresses, phone numbers, and repetitions. However, his explanation for his edits appears in the afterword. I ended up baffled by the ellipses at the beginning, and searched through the book to find Wakefield’s explanation at the back. I do think that would have been better placed at the beginning of the collection.

A letter, written just for a specific person, conveys so much more of the writer’s personality than anything written for general public consumption like a blog post. And I do believe that the act of putting pen to paper makes a writer feel responsible to write something with thought behind it, unlike the many quick emails we dash off on a daily basis.

So all of you wonderful writers that I have addressed this review to, please, do your fans a favor and write some letters. Not emails, not blog posts, but real, honest to god, written thoughtfully on paper, LETTERS.

I received a copy of this book through a Goodreads giveaway. 

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Homage? or Parody?

The QuincunxMay I introduce you to the book that took me three weeks to read?

The Quincunx by Charles Palliser is a hefty doorstop of a book, weighing in at 787 pages in the 1989 edition. It’s big book, almost 3 pounds of paper.

It’s not just big in a physical sense. It’s an ambitious work that was a first novel for Palliser, a bestseller and winner of the Sue Kaufman Prize for First Fiction (source: Wikipedia). The plot is intricate, the settings are naturalistic, and the characters entertaining. This novel is frequently compared to the works of Charles Dickens, and it’s easy to see why.

The main character, who tells most of the story, is John Huffam, a plucky boy who is the hidden heir to a rich estate in the English countryside. A complicated estate entail, a missing will, and a strange codicil to this will have led John’s mother to hide him away in the countryside, living under an assumed name. One day, their home is burgled, disrupting this quiet anonymous life, and setting into motion a series of events that change their lives forever.

John and his mother escape to London after their small fortune is swindled away by their enemies, and they spiral into a life of poverty and ruin in the London slums. After John’s mother passes away, tragically, John must fend for himself. John is frequently an unwitting pawn of his enemies, but sometimes the instigator of plots and plans himself.

The missing will is a central plot point, and John goes undercover at the home of the current estate holder, the Mompessons, working as a scullery boy in order to discover the will’s hiding place. John solves a puzzle – in the shape of a quincunx –  and recovers the will. Which is then lost again, through deception.

Another key plot piece is the murder of John’s grandfather. Who actually killed the old man? Was there a plot, or was it just madness?

The novel is wonderfully complex, and can be difficult to follow. About halfway through the novel, I realized that my complete understanding of the plot and what John believes about the plot were not necessary to enjoy the novel. After all, every time I (or John) had the family relationships figured out, or realized who it was that wanted John dead, new information was revealed that made my understanding false. After this happened a few times, I set aside my strong “need to know” and just enjoyed the plot turnings.

Palliser divided this novel into five parts (like a quincunx), each named for a different branch of the intertwined families. With each section, there is a genealogical chart. As the novel progresses, the chart becomes more detailed in each section. It’s a wonderful piece of detail that I really enjoyed, and used to help my developing understanding of the relationships. The maps of London, also included at the beginning of each section, were also interesting and a great reference while reading.

Like Dickens’ novels, The Quincunx features a plucky orphan finding his way, shady London villains, and many happy – or unfortunate – coincidences. And like Dickens’ novel Bleak House, The Quincunx features a will destined for Chancery Court. In my opinion, Palliser has out-Dickens old Boz in this novel. The plot is complicated to the point of absurdity. The villain Barney Digweed makes Bill Sykes look tame, and the put upon and ruined Miss Quilliam, is more desperately used than any Nancy.

So while Palliser has taken these elements so familiar to the novels of Dickens – the orphan, the inheritance, the villains – and taken them to the next level, I don’t think he is fully parodying Dickens. Palliser’s tone is always sincere, even in the pompous omnisciently narrated sections of the novel. Palliser has created a gentle parody, that is more of an homage to Dickens than any kind of satire.

Reading a novel like The Quincunx was a commitment. I am the kind of reader that usually has a few books going at the same time, but to fully appreciate this book I had to suspend that practice for a while and just focus on this novel. I would recommend this very highly to fans of Dickens – and recommend it less so if you are not a fan.

 

 

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Ah, Atlantic City.

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Sometimes, a good setting can make a good book great, or a not-so-good book just plain fun.  I just finished Ghostman by Roger Hobbs, a thriller set in Atlantic City, New Jersey. Atlantic City is within a couple of hours driving distance from where I live, and trips to the Jersey shore have long been a part of my life. Escape weekends with girlfriends, road tripping in college, and family vacations are all part of my history with this location.

Atlantic City’s dark side is in full view in Ghostman, a hard boiled, procedural tale of a robbery gone wrong. Hobbs flips the usual procedural tale here, and tells the story from the viewpoint of a bad guy, a “ghostman” – which is apparently, in heist terminology, is the guy whose role it is fix things, quietly, off the grid.

This is a dark, bloody book. Hobbs creates a terrifically vivid sense of the underside of Atlantic City, complete with abandoned strip clubs, falling down houses, and cheap motels. Hobbs’ imagery is particularly good when it comes to odors – his protagonist uses his sense of smell to describe just about every location he visits. The strong odors of naphtha, blood, and damp permeate this book.

Hobbs has a tendency to list things, which can get a bit dry. The protagonist, Jack  – whose real name we never really discover – details the contents of his bag, car, and requests lists of items from his local AC procurer. Jack lists, rather than describes, his method of changing his appearance. There’s also a bit of the cyber punk style here with all the name dropping of gun types, ammunition, drugs, and designer clothing.

The plot is quick paced, and very exciting. And as bad as our protagonist Jack is, there’s always someone more evil than he is. Hobbs alternates the present day plot in Atlantic City with a flashback of another heist gone wrong. This secondary plot is also quick paced and exciting.

This book was released last year, and is Hobbs’ debut novel. There’s an interview with Hobbs that I found interesting, mainly for his description of his writerly life – ramen noodles and staking out a power outlet in the library for his laptop.

For me, the main appeal of this fun novel was the setting. Somehow, reading about characters that are walking down the same streets you have walked down, and visiting the same places you’ve visited, creates a full sense of immediacy. And Hobbs’ descriptions of the approach to and the outskirts of Atlantic City capture the dichotomy of this place. The wealth and flash of the casinos and boardwalk contrast in a disturbing way with the tired looking neighborhoods just outside.

I’m not sure how accurate Hobbs’ geography is, but I picture him at that library with maps and googling street views of Atlantic City.

If you don’t mind violence and gore combined with drug use and cruelty, Ghostman is an entertaining book with a strong and compelling setting.

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Hunger and Responsibility: Big Brother by Lionel Shriver

Quite possibly the most gross-out scenes I’ve ever read happened within the pages of this novel, Big Brother, by Lionel Shriver. Disgusting and horrifying, funny yet excruciating, Shriver doesn’t shy away from showing the reader the consequences of morbid obesity. Shriver wrote this novel as a response to events in her own life. Her older brother, whom Shriver has described as being a “genius,” was morbidly obese, and died of a heart attack at age 55. Big Brother is dedicated to him. But calling Big Brother a novel about obesity doesn’t begin to describe this book.

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Shriver uses obesity as a pathway to explore familial relationships and responsibility. How far would you go to “save” a sibling who has “buried himself in himself?’ Would you sacrifice your marriage, relationships with your children and friends to devote yourself to a sibling’s overwhelming needs? Are we truly our brother’s keeper?

That’s the decision the main character of Pandora confronts. Her brother Edison, whom she idolized, visits Pandora and her family. He’s down on his luck, couch surfing in New York City. He also has gained more than 200 pounds since the last time Pandora saw him. A jazz pianist, Edison punctuates his conversation with annoying, jarring “hep” talk – heavy cats, ya dig, man? He’s overbearing, obnoxious, and eating them out of the house. Plus, Pandora’s husband Fletcher, cycling nut and food Nazi, can’t stand him. It doesn’t help that Edison breaks one of Fletcher’s fanciful furniture creations. The visit is a trial for the whole family – Pandora, Fletcher, and Fletcher’s two teenage kids from a previous marriage.

Pandora faces her responsibilities to her brother when the visit comes to an end. Does she put him on a plane, knowing he has nowhere to live, no gigs lined up, and few friends left? Pandora proposes a private weight loss clinic to Edison. She’ll be his coach, plan his weight loss and stick with him until he’s down to his normal weight. This project will require living apart from her family – Fletcher will not have Edison in the house any longer than his planned visit – and this threatens Pandora and Fletcher’s marriage, and Pandora’s relationship with her stepchildren.

The characters in this novel are not especially likable. Fletcher and Edison are both obnoxious and self-righteous, convinced of their superiority and their claim on Pandora. I found Pandora fascinating. While claiming to avoid the spotlight, she has managed to run two successful businesses, the most recent a novelty toy company featured in national publications. Her musings on her relationships and how much is owed to family members was fascinating. Pandora neglects her younger sister, yet feels a strong duty to her step children. And Edison’s obesity throws her sense of responsibility into overdrive, jeopardizing her marriage.

Shriver seems to be pulling the novel into a tidy happy package, and then upends it all. I won’t reveal the ending here…

Shriver sums up so many themes in this quote from near the end of the novel:

However gnawing a deficiency, satiety is worse… We are meant to be hungry.

Indulging that hunger to the point of obesity is dangerous. Indulging a sense of responsibility to the point of sacrificing other relationships is also dangerous.

Shriver, while using obesity to explore familial relationship, also explores contemporary thoughts and perceptions of obesity. Pandora mulls over society’s stereotypes of the obese and the slim. Are thin people joyless self deniers? Are the obese lacking in character strength? Shriver can be heavy handed, but I’ll forgive her “hunger” to impart her hard earned lessons about family and obesity.

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On Lists. And How Very French.

I confess to a list obsession. I make lists, I read lists, I check things off lists. The list I try very much to NOT get too obsessed with is Boxall’s 1001 Books You Must Read Before You Die. First published in 2006, the list – and book – was compiled by Peter Boxall, a professor of English at Sussex University. The original list was extremely Anglocentric, and has been revised twice, with adjustments to the list to include more world literature. This list is very easy to find – there’s a listology list,  a goodreads lists via listology where goodreads users can vote for their favorites, and even an app you can purchase from the iTunes store. And of course, there are blog posts to read, spreadsheets to download, and pinterest boards to follow.

I confess to another thing: I purchased the 1001 books app. And according to the app, if I really, truly, want to finish the list before I die (at a projected age of 81), I need to get cracking. In order to finish the list by my anticipated death, I need to read 3 of the 1001 books per month. No pressure.

2967752This month, I can check one book off the list: The Elegance of the Hedgehog by Muriel Barbery. This French novel was first published in 2006, and the first English edition was released in 2008. The novel received a number of awards in France, and was well received internationally. The New York Times reviewed it very favorably in 2008. (read the review here.) I found a copy at my favorite used book sale, and it has been sitting on my shelf of “to read” books for almost a year. When it came my turn to choose a book for my Awesome book group, I seized the opportunity to check this one off the list.

The Elegance of the Hedgehog first struck me as being very, very French. Firstly, the main characters live rich internal lives without a lot of drama. Renee, the concierge of a Parisian apartment building, is a closet intellectual that hides her true self. Renee camouflages herself by blaring television programs and wafting the scent of boiled cabbage into the lobby of the building, while she enjoys tea and Tolstoy behind the door of her loge.

Paloma, the other main character, is a twelve year old genius, also hides her true self from her family and schoolmates. Paloma tells her story through her journal of Profound thoughts, and in the reader’s first encounter with Paloma, she reveals that she intends to kill herself on her thirteenth birthday.

The novel is told in alternating voices, Renee and Paloma taking turns with the story. The two characters make observations on class and culture, art and beauty, and skewer most of the world around them for their hypocrisy and stupidity. Their essays continue in this vein to the point where I started to get a bit bored, frankly. There’s only so much free standing philosophy I can read without becoming impatient.

Finally, Renee and Paloma meet. On page 244. Again, how French to have a lengthy narrative on parallel paths, finally connecting the two characters well into the action.  Finally, the reader starts to see the glimmerings of a plot. Connecting Paloma and Renee is the character of Ozu, an older Japanese gentleman who moves into the apartment building.

I loved the mutual admiration of French and Japanese culture in this novel. Renee enjoys Japanese film, Ozu obviously is enmeshed in French culture. Ozu is able to see past Renee’s self imposed peasant facade, and befriends her. He introduces Renee to Japanese cuisine, and more importantly, gives her permission to be herself, which is a lovely message.

I won’t reveal the ending here. I will just say that it was a surprise, and while disappointing in terms of character development, it resolved the plot.

I was very satisfied,  checking this novel off  the list in my 1001 Books app. I’m not sure if I’ll be able to read all 1001 before I die, but I’ll enjoy trying!

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Walking a fine line…

The Unlikely Pilgrimage of Harold Fry

I know that a movie will be made of the book I just finished, The Unlikely Pilgrimage of Harold Fry by Rachel Joyce. I know it will be sentimental, funny, and undoubtedly, freakishly maudlin. And that’s a shame, because while this book does veer into sentimentality, it is never maudlin.

The premise of the book is outwardly quiet and simple: Harold Fry, recently retired, receives a letter from an old friend, Queenie Hennessy. She is in hospice, dying of cancer, and wished to say goodbye, and thank Harold for his friendship. Harold writes a letter in return, and heads out to the post box to mail it. But he keeps going. Initially he continues because he feels his letter is inadequate, and then, after a conversation about faith with a young woman at a garage, decides to walk to the 500 hundred miles north to Queenie. His faith in his walk will save her.

While walking, Harold meets many people who share intimate details of their lives with him. He attracts attention and becomes a bit of a celebrity. His wife, Maureen, however, is not amused and just wishes Harold would come home.

While Harold’s feet carry him north toward Queenie, he makes another pilgrimage through his mind and memory. Harold revisits painful memories, and recalls the events that led him to his current humdrum life, curiously removed from his wife and other people.

In this pilgrimage of the mind is where the magic of this book happens. Joyce is able to convey Harold’s inner pain, his utter anguish, and regret in such a way that I was very deeply moved. Through his pain, Harold grows to understand himself better, and catches glimpses of the inner beauty of others:

He understood that in walking to atone for the mistakes he had made, it was his journey to accept the strangeness of others. As a passerby, he was in a place where everything, not only the land, was open. People would feel free to talk, and he was free to listen. To carry a little of them as he went.

And this interior life, so richly described by Joyce, will never, ever be honestly conveyed on a movie screen. There will be flashbacks, and memories retold to others, but a film will not be able to capture the complicated progression of Harold’s thoughts.

Joyce walks a fine line with her novel. The Unlikely Pilgrimage of Harold Fry could have descended in to the hyper emotionalized realm that is usually the domain of “chick lit,” but the novel remains poignant. Chick-lit novels tend to make me angry in the way they manipulate my emotions, but I never felt this way with Harold Fry. Instead, I was consistently and deeply moved through the book.

I highly recommend the audio version of this novel. Jim Broadbent is the reader, and he is a gifted interpreter of the text.

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Sherlock and Jack

There’s an uncanny intersection of fiction and nonfiction in the character of Sherlock Holmes and the case of Jack the Ripper. In fact, stories combining the two make up a significant subset of Sherlock Holmes pastiches. The website Goodreads has a reader contributed list here:

https://www.goodreads.com/list/show/10752.Best_Sherlock_Holmes_Vs_Jack_The_Ripper_Fiction#4543979

4543979I just finished reading Dust and Shadow: An Account of the Ripper Killings by Dr. John H. Watson by Lyndsay Faye. This is a newer entry into the Holmes/Ripper list, published in 2009. Dust and Shadow is an enjoyable read. For the Sherlockian, it is a credible imitation of Watson’s narrative voice, albeit a little bit precious and artful with the vocabulary.  For the fan of Ripper stories, it is an exciting, first person account of the murders, complete with bloody details and a plausible solution to the murderer’s identity.

I’ve been ruminating over why this combination of fictional detective and real-life gruesome murderer fascinates readers. Is it because we believe that Sherlock could have solved the case? Or do we simply want a Victorian match up of good versus evil?

Perhaps it goes deeper than that. Senseless murders such as the Ripper case, and modern mass murderers such as Jeffrey Dahmer or John Gacy fascinate us. I think we are fascinated because we, as lay people and readers, do not understand the psychoses of these people.

Sherlock Holmes is also a fascinating character, and almost as difficult to understand as the Ripper or Dahmer. The modern television incarnation of Sherlock Holmes, as portrayed by Benedict Cumberbatch, is a “highly functioning sociopath – not a psychopath.” It’s not easy to understand Holmes and his ratiocination.

I think we want more than for Sherlock to just solve the Jack the Ripper case. I think we want Sherlock to explain it to us. How could a person be capable of such barbarity and inhumanity? Could Sherlock tell us that?

Modern mental health practitioners can label psychotic conditions for us, but explaining the why is challenging. Sherlock, with his amazing powers of deduction and reasoning, could be the person to finally explain it all.

 

 

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Celebrity Literature, Part 2 – Wildwood by Colin Meloy

10431447This time I didn’t even realize it. I read another celebrity written novel, this one chosen solely on the merits of its very interesting cover art. (My first blog post about celebrity authors was The Wishing Spell by Chris Colfer.) This time, the celebrity author is Colin Meloy of the folk-rock group The Decemberists, and the illustrator is his wife Carson Ellis, the “illustrator in residence” for the band. Looking at Carson Ellis’ website, I realized she had illustrated The Mysterious Benedict Society series by Trenton Lee Stewart, which I loved – the drawings and the story. The novel is titled Wildwood, and it is the start of a fantasy series aimed at middle grade kids.

Ok, now I need to back track a bit. I didn’t sit down and read this story, I actually listened to the audiobook, which was read by the amazing Amanda Plummer. I wish I had read it – I would have seen more of Ellis’ charmingly rustic drawings.

Wildwood is a fantasy tale, drawing on many fantasy archetypes and plot devices. There is a stolen child. There is a character with a secret about their birth. There is a quest, and an animal friend (or two or three). There is magic, plus an evil witch. When I first started listening to the novel, my first inclination was to classify this story as Labyrinth (the movie) meets The Chronicles of Narnia.

And that’s pretty accurate, but add an overlay of Portland west coast hipster. There’s no Turkish delight á la The Lion, the Witch, and the Wardrobe. Instead, the main characters of Prue and Curtis munch on gorp while hiking through Wildwood. Prue eats squash dumplings while an animal companion tries lentils and greens. Prue rides a fixed gear bike and looks at vinyl records. These details were amusing, creating the hipster vibe.

The plot is fairly simple: Prue’s baby brother is stolen, and she goes after him into the woods – the I.W. – the Impassable Wilderness. Prue is followed by a classmate, Curtis. While in the woods, they are discovered and chased by a group of militarily dressed coyotes who capture Curtis. Prue manages to escape, and travels to Southwood to appeal to the government for help to rescue her brother and Curtis. Bureaucracy and then downright fascism lead to Prue escaping Southwood to go on a quest to consult the Mystics of Northwood. Meanwhile, Curtis enlists in the coyote army, which turns out to be the force of Alexandra, the evil Dowager Governess of Wildwood. Curtis quickly realizes he’s signed onto the wrong team. Prue and Curtis finally meet up again as they help the citizens of Wildwood, both animals and human Bandits, form the Wildwood Irregulars in order to defeat the Dowager Governess.

A few plot details sat uneasily with me. Prue’s parents are strangely absent, delegating much of the baby brother’s childcare to Prue, and then later in the story, they are strangely acquiescent to Prue’s decision to return to the wood. I also was uncomfortable with Curtis’ decision at the end of the story (I am trying not to give away spoilers here). I also found myself wondering how coyotes held their Napoleonic rifles without opposable thumbs. I think this means I wasn’t engaged enough to suspend my disbelief involuntarily.

Aside from these minor distractions, Wildwood is an entertaining story with much to recommend it – interesting magic and lore, a charming blend of mundanity and fantasy, and very likable main characters. The west coast quirks add to the enjoyment, and I will be looking forward to the next installment – this time in print, so I can enjoy Ellis’ illustrations.

 

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When Books Collide: People of the Book by Geraldine Brooks and Manuscript Found in Accra by Paulo Coelho

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Have you ever read a book and have it make a kind of crazy convergence with another book you just read? This just happened to me, and I’m finding the contrasts and the comparisons between the two books have made the reading experience richer, and more thought provoking.

Last week, I read/listened to Manuscript Found in Accra by the Brazilian novelist Paulo Coelho. I’ll be honest, my hopes were not high for this book. I had read The Alchemist a few years ago and it did not appeal to me at all. Modern allegorical tales like The Alchemist and Jonathan Livingston Seagull leave me cold and unmoved. But I have so many friends whose insight I value that have enjoyed Coelho’s writing , so I was willing to give him another try.

Sadly, Manuscript Found in Accra was not my kind of book. It was a sermonizing bore. The central figure of the book, the Copt, lectures and takes questions from his audience of citizens of Jerusalem, as they await the invasion of a crusader army. The audience is a group of Muslims, Jews, Christians, men and women, who ask vague questions about loneliness, beauty, and love, and the Copt answers in long, tedious philosophizing detail. Not my taste.

Geraldine Brooks’ novel People of the Book  I read closely on the heels of Accra. People of the Book tells the fictional history of a real manuscript – the Sarajevo Haggadah – through the lives of the people that come in contact with the book. Brooks tells the history of the book both backwards and forwards, through the conservator that repairs the book in war torn Sarajevo, and the men and women who created the 16071938book, and protected the book through the countless pogroms and exoduses of modern Europe.

Here’s where the books collide.  Manuscript Found in Accra waxes poetic about medieval Jerusalem, how it was a welcoming place where Jews, Christians, and Muslims were neighbors and lived together peaceably. The audience listening to the Copt is this mixed group of people, listening to the wise man together. I don’t know how accurate this picture of Jerusalem is, but I can tell you that it didn’t feel real when reading it.

People of the Book shows the reader religious conflict in abundance. Muslims, Christians, Jews are constantly on tenterhooks when dealing with each other, dancing around propriety and predjuce in a constantly shifting balance of power. But the book, this precious, beautifully illustrated book, gives the characters a common ground in their desire to preserve and protect it. Jews, Muslims, and Christians all conspire to save the book.

That felt true. People of different faiths – or no faith at all – coming together to preserve an object of beauty.

I think if I hadn’t read Accra just before People of the Book, I would not have appreciated the idealistic viewpoints of either book. Both books present the idealistic view that people of different faiths can live together and prosper through that life. However, People of the Book demonstrates this through the collective acts of compassion that the characters show to each other in order to save the book. Manuscript Found in Accra simply shows the nameless, multi-faithed audience, listening raptly to the Copt.

For me, the cliché – actions speak louder than words – held true.

 

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