Category Archives: Book Series

Celebrity Literature, Part 2 – Wildwood by Colin Meloy

10431447This time I didn’t even realize it. I read another celebrity written novel, this one chosen solely on the merits of its very interesting cover art. (My first blog post about celebrity authors was The Wishing Spell by Chris Colfer.) This time, the celebrity author is Colin Meloy of the folk-rock group The Decemberists, and the illustrator is his wife Carson Ellis, the “illustrator in residence” for the band. Looking at Carson Ellis’ website, I realized she had illustrated The Mysterious Benedict Society series by Trenton Lee Stewart, which I loved – the drawings and the story. The novel is titled Wildwood, and it is the start of a fantasy series aimed at middle grade kids.

Ok, now I need to back track a bit. I didn’t sit down and read this story, I actually listened to the audiobook, which was read by the amazing Amanda Plummer. I wish I had read it – I would have seen more of Ellis’ charmingly rustic drawings.

Wildwood is a fantasy tale, drawing on many fantasy archetypes and plot devices. There is a stolen child. There is a character with a secret about their birth. There is a quest, and an animal friend (or two or three). There is magic, plus an evil witch. When I first started listening to the novel, my first inclination was to classify this story as Labyrinth (the movie) meets The Chronicles of Narnia.

And that’s pretty accurate, but add an overlay of Portland west coast hipster. There’s no Turkish delight á la The Lion, the Witch, and the Wardrobe. Instead, the main characters of Prue and Curtis munch on gorp while hiking through Wildwood. Prue eats squash dumplings while an animal companion tries lentils and greens. Prue rides a fixed gear bike and looks at vinyl records. These details were amusing, creating the hipster vibe.

The plot is fairly simple: Prue’s baby brother is stolen, and she goes after him into the woods – the I.W. – the Impassable Wilderness. Prue is followed by a classmate, Curtis. While in the woods, they are discovered and chased by a group of militarily dressed coyotes who capture Curtis. Prue manages to escape, and travels to Southwood to appeal to the government for help to rescue her brother and Curtis. Bureaucracy and then downright fascism lead to Prue escaping Southwood to go on a quest to consult the Mystics of Northwood. Meanwhile, Curtis enlists in the coyote army, which turns out to be the force of Alexandra, the evil Dowager Governess of Wildwood. Curtis quickly realizes he’s signed onto the wrong team. Prue and Curtis finally meet up again as they help the citizens of Wildwood, both animals and human Bandits, form the Wildwood Irregulars in order to defeat the Dowager Governess.

A few plot details sat uneasily with me. Prue’s parents are strangely absent, delegating much of the baby brother’s childcare to Prue, and then later in the story, they are strangely acquiescent to Prue’s decision to return to the wood. I also was uncomfortable with Curtis’ decision at the end of the story (I am trying not to give away spoilers here). I also found myself wondering how coyotes held their Napoleonic rifles without opposable thumbs. I think this means I wasn’t engaged enough to suspend my disbelief involuntarily.

Aside from these minor distractions, Wildwood is an entertaining story with much to recommend it – interesting magic and lore, a charming blend of mundanity and fantasy, and very likable main characters. The west coast quirks add to the enjoyment, and I will be looking forward to the next installment – this time in print, so I can enjoy Ellis’ illustrations.

 

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On Rereading…

After finishing Stephen King’s 11/22/63, I have a compelling urge to go back and reread some of his earlier works, particularly It644173, which King’s narrator Jake references in 11/22/63. There’s a wonderful interconnected feeling in King’s fiction, which has only become stronger with every additional novel. King’s collaborator and close friend Peter Straub (Straub’s website) also writes amazingly interconnected works of fiction, which also make my reread list, especially the meta fiction of the Blue Rose novels, and his collaborations with King, the Talisman novels.

And then I watched the movie of Tinker, Tailor, Soldier, Spy and I think I’d like to reread John  le Carré’s Smiley books, too (John le Carré’s website).And then I was thinking about other books to reread, and Julian May’s interconnected series – Pliocene Exile, Galactic Milieu, and Intervention – are on my list as well. So my reread list is growing.

Sometimes, I will reread an Agatha Christie mystery – I find them so comforting and entertaining, and since I have read them over and over since I was a kid, it takes me no time at all to enjoy one. I know some readers never reread works they have already experienced, but I find that rereading novels often gives me a deeper experience. I notice symbolism and thematic points that I may have missed the first time around. And since my mind is not preoccupied with the plot machinations, I have time to ruminate on the broader meaning of an author’s work. Do you reread books? What would make you pick up a book you have already read? If there are works that you read over and over again, please let me know what they are, and why you reread them. I’d love to know.

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The Romance of King Arthur

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This is the copy I read as a kid. The publication date on this is 1977 – so, buying it secondhand, I was probably 12 or 13.

Ah, Arthur. Who was he? Did he really exist? Was he a resistance fighter, or a true king? Or were the tales really stories of a “Cave” Arthur, a legendary leader that predates history? I don’t care, actually. I just love the tales and all their glorious retellings. My first introduction to Arthurian legend was through the novel The Once and Future King by T.H. White, like so many other readers. I read this wonderful account of King Arthur when I was a young teen, reading an ancient paperback that threatened to lose its cover before I finished it.

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If you enjoy Arthurian legend, you must read the source material in Geoffrey of Monmouth’s chronicle.

At university, I explored Arthurian tales in my classes, reading Chretien de Troyes’ romances, and the histories of the Venerable Bede and Geoffrey of Monmouth. After graduating, my mind was blown by the brilliant reimagining of Arthur through Morgan le Fay’s POV as told by Marian Zimmer Bradley in The Mists of Avalon. That novel gets a place of honor on my permanent bookshelf in the sky.

3104570Then Bernard Cornwell’s novels (The Warlord Chronicles) appeared on the scene, and I was once again amazed at the way another author could take these legends, put them in a blender, and come out with a completely different atmosphere, making different thematic choices and focusing on different pieces of the legend. I thought it couldn’t get any more interesting than Bradley’s amazingly powerful Arthurian women, but Cornwell’s dirty, gritty stories just as powerful, and you can smell the manure – and the magic.

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I just enjoyed reading The Seeing Stone by Kevin Crossley-Holland, an Arthurian interpretation for a young adult audience. Crossley-Holland sets his tale in 1199, on a lord’s estate close to the English-Welsh border. The narrator of the tale, Arthur, is the second son of Sir John. He’s thirteen, not very good at tilting or swordsmanship, but has a gift with words. Merlin, a mysterious man who resides on the estate, gives Arthur a stone of obsidian, and cautions him to never mention it to anyone. Arthur discovers that this stone gives him visions, where he sees another thirteen year old boy named Arthur, whose story strangely echoes his.

The story was very well told. Crossley-Holland takes the Arthur of legend up to the momentous sword in the stone moment, leaving room for a few more novels which I think I may have to read. My only complaint about the novel is that Crossley-Holland’s chapters are so short – at the most 3 pages – that the narrative feels choppy and jumpy. I wish he had taken the time to extend some of the chapters, exploring the emotions in a deeper fashion.

I think the book I need to add to my book bank is Thomas  Malory’s Morte D’Arthur, but I’d love some additional suggestions. Are you a reader of Arthurian fiction? What would be on your Arthurian reading list?

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The Wishing Spell by Chris Colfer

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Celebrity memoirs can be a guilty pleasure. A bit more highbrow than a supermarket tabloid, but possibly just as titillating, celebrity memoirs consistently make the bestseller lists. But what about celebrities that aspire to be authors of fiction, rather than having a ghost writer help them hash out their life story? The only celebrity fiction authors that quickly spring to my mind are Carrie Fisher and Jamie Lee Curtis. And let’s face it, Postcards from the Edge (Fisher) was reportedly based on Fisher’s own experiences. And Curtis’ very respectable entries in the world of fiction are picture books written for the elementary set.

So my experience with the celebrity-as-writer-of-fiction is limited, which is why I was very intrigued to see The Wishing Spell by Chris Colfer on the new books shelf at my local library.  Colfer is the very talented actor who has risen to fame firstly on the strength of his performance as Kurt Hummel on the television show Glee, and then through his activism, particularly through his very personal message to teens shared on The Trevor Project. I find him very inspiring, and extraordinarily charming on screen.

Colfer credits his grandmother for inspiring his deep love for story, and dedicates The Wishing Spell to her. He’s definitely a fan of traditional fairy tales – so many traditional tales like Cinderella, Snow White, Goldilocks, and Jack and the Beanstalk feature prominently in his tale. Colfer uses the familiar tales as a background for the main story of Alex and Connor, girl and boy twins that accidentaly travel to the Land of Story not long after their father dies.

Alex and Conner want to get back to reality, and find a journal describing the Wishing Spell. They decide that using the spell is the only way they’ll be able to get back home, so they undertake the arduous task of assembling its ingredients, which include Cinderella’s glass slipper, and a piece of the basket Red Riding Hood carried to her grandmother. Finding these elements requires them to travel all over the Land of Story, a journey made even more difficult by the pack of wolves that are pursuing them, plus the servants of the Evil Queen who are also chasing down the ingredients to the Wishing Spell.

The fairy tales are all pretty familiar, with some amusing fractures, such as Goldilocks’ portrayal as a persecuted vigilante. The main plot device of assembling the ingredients for the Wishing Spell is very similar to the plot of Into the Woods, the Broadway musical written by Stephen Sondheim and James Lapine. The main characters, Alex and Connor, step into fairly stereotypical roles. Alex is bookish and brainy, with no close friends, and Connor is brawny and popular, and hates school.

The Wishing Spell plays it safe, not overly stretching the reader with anything difficult. Where the story does gets interesting is in the original fairy tales Colfer includes and refers to in the novel, intriguingly titled the tale of the Walking Fish, and the tale of the Curvy Tree. Unfortunately, these tales are not explored as deeply as the familiar tales. Hopefully, Colfer will return to these original tales in the sequels he has planned.

Colfer’s prologue to the story is also nicely done, challenging the young audience to rethink their ideas of a villain. Snow White visits her stepmother in prison (no death by hot shoes in this version) to try and get some answers on the Queen’s motivation for targeting Snow White. The Queen offers this:

But what the world fails to realize is that a villain is just a victim whose story hasn’t been told.   The Evil Queen, The Wishing Spell, p9

Colfer is not an especially gifted writer of dialogue. In fact, much of the dialogue reads like a Disney sitcom and made me grimace. You can just about see the double-takes and camera mugging. But, I am not the intended audience. I know that this type of dialogue, with silly retorts and putdowns, is considered very funny by the third grader in my house.

I would recommend this novel to a child who enjoys familiar fairy tales, particularly the prince and princess-y stories. Late elementary grades are probably the best audience – I would say third grade to sixth grade would probably be the most entertained. There are some incidental illustrations by Brandon Dorman that add to the mood of the novel. The illustrated map is particularly well done.

Colfer’s first outing as a novelist hasn’t broken any new ground, but it is entertaining. Hopefully the next installments in the Land of Story series will improve upon the first, and I’m hoping that Colfer’s original fairy tales take a greater role.

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A New Literary Pilgrimage – Québec City

Bury Your Dead book coverAs a Biblio-filia, I have the geeky habit of making literary pilgrimages. Some of these trips turn out better than others, I admit. My fall trip to Tarrytown, New York with another booky friend to visit the haunts of Washington Irving, author of The Legend of Sleepy Hollow? Super! Dragging my husband to Haworth, Yorkshire to see the home of the Brontes? Well, let’s just say we had a good long walk on the moor.

There’s a new literary pilgrimage that I am putting on my to-do list this year. Tours Voir Quebec (http://www.toursvoirquebec.com/en/old-quebec-tours/bury-your-dead) in Québec City has put together a walking tour that features the settings in the novel Bury Your Dead by Louise Penny. Penny writes the critically acclaimed Inspector Gamache series, a mystery series that starts with the novel Still Life, published in 2007. The series has a total of eight books, and the ninth will be published this summer.

Most of Penny’s mysteries have been set in the fictional village of Three Pines, an Anglophone village in the Canadian province of Québec. Other books have been located in other fictional locations – a remote monastery in her most recent novel, The Beautiful Mystery, and a spectacular, old fashioned resort hotel in A Rule Against Murder. The novel Bury Your Dead is the only novel, to date, that is set in a real place.

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Chateau Frontenac

And the real place is Québec City, which Penny describes in attractive, comforting detail. Inspector Gamache is recuperating from an injury at the home of an old friend and colleague in Québec City. As part of his recuperation, Gamache indulges his passion for historical research in the Québec Literary and Historical Society, a fantastic library established to preserve the history of the English people of Québec. Gamache and his friend sip cafe au lait at cafes, Gamache takes walks with his dog in the narrow streets of Québec City, and through the entire novel we see the facade of the Chateau Frontenac, Québec City’s landmark hotel.

I have started pricing train tickets, and hotels in Quebec City… hopefully I will make it there soon.

If you are a fan of the mystery genre, I highly recommend Penny’s novels. Her characters are memorably written and her descriptions of settings are exceptionally vivid and emotionally evocative. The main detective character, Armand Gamache, is a gentle, honorable man with a fascinating backstory. Penny’s website is also one of the best author websites I have ever explored. You can find out the series order, learn how to pronounce the French in the books, and get publishing information. Visit Louise Penny’s website at: http://www.louisepenny.com.

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